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We make CGI and animation for the aviation industry — cabin visualisations, livery reveals, films that make people feel something about an aircraft before they've ever sat in it. We're a small, senior team, and we're looking for people who want to do their best work, not just complete a brief.
You'll shape how our animations feel, not just how they move. Camera direction in 3ds Max, a consistent visual language across a project, and an instinct for when a shot needs more restraint or more drama. If you think like a cinematographer and you're curious about where AI-assisted shot direction is heading, we want to talk.
You'll take raw renders and give them a soul — colour, contrast, grain, the imperfections that make CGI stop looking like CGI. This is a compositing-first role: if your instinct is Nuke and you can carry that thinking into Resolve or After Effects, even better. You read light like a photographer, not a technician.
You can build anything from a photo and make the proportions feel right without needing to be told twice. Confident PBR texturing, efficient UVs, and an eye for the small details — wear, grime, reflectivity — that sell realism. ZBrush is a bonus.
What we're really looking for, across all three: people who take ownership, solve problems without hand-holding, and want to get better at their craft. We're an international team, so we work with a bit of timezone flexibility around GMT.
Rates discussed based on experience. If you think this is you — show us the work. That's what moves things forward.
Posted August 2026
Send a portfolio, reel, or a few stills that show how you think. That's what moves things forward.